
Name: Gwen
Email:
Bio: Gwen Orel is a freelance writer, based in NY, who writes about theatre, music and culture for many publications (credits include Back Stage, the New York Times, the Wall Street Journal, the Forward, the Village Voice, American Theatre, Time Out New York, and many others). She has a PhD in theatre, but Celtic Music owns her.
Bio
Gwen Orel is a freelance writer, based in NY, who writes about theatre, music and culture for many publications (credits include Back Stage, the New York Times, the Wall Street Journal, the Forward, the Village Voice, American Theatre, Time Out New York, and many others). She has a PhD in theatre, but Celtic Music owns her.
Entries By Gwen Orel
Tin Pan Alley Rag is jukebox musical heaven (and a lot more), Shakespeare in the Park is not free, Cleavage is distracting, and Playwright Lisa Ebersole should be much more than "emerging"
Meandering thoughts about The Full Monty, Reed in the Wind, Missy Raines and the New Hip, Claire Lynch, nonagenarian painter Sylvia Sleigh, the Fourth of July, the Landmark Session and the I-didn't-graduate nightmare
Missy Raines talks about playing the bass, chasing the groove, a wiggly cat and a cool band after playing with her band The New Hip at Madison Square Park July 1
I am way behind on this! Expect another Inner Monologue sooner than later because doing two weeks at once is too cumbersome. And I’m leaving out my meandering thoughts on the musical events, my own playreading, and the party at the new Forward building– at least for now– to focus on the plays themselves.
Billy Elliott
Friday, [...]
I recently wrote a review of “Next to Normal” for the Pittsburgh Post-Gazette. You can read the entire review here.
My editor received two letters about it– a mother and daughter tag team insisted that I had spoiled the show by revealing a particular plot point. The exchange got me thinking. When is a “spoiler” necessary [...]